Yamasaki on Reading the Bible like Cinematography

1. The point of view of a given shot is largely determined by the positioning of the movie camera lens that is taking the shot. In 1982, Hebrew scholar Adele Berlin proffered the analogy of a movie camera lens as a way of understanding the concept of point of view:

[I]n any film . . . the story is filtered through the perspective of the camera eye. Sometimes the camera gives long-shots, sometimes close-ups. . . . And it constantly shifts perspective, showing the action from different angles. The viewer’s perspective is both expanded and controlled by the camera; he can see the action from many directions and perspectives, but can see only what the camera shows him. Biblical narrative narrates like film. The narrator is the camera eye; we “see” the story through what he presents. The Biblical narrator is omniscient in that everything is at his disposal, but he selects carefully what he will include and what he will omit. He can survey the scene from a distance, or zoom in for a detailed look at a small part of it. He can follow one character throughout, or hop from the vantage point of one to another

Yamasaki, Gary. Insights from Filmmaking for Analyzing Biblical Narrative (Reading the Bible in the Twenty-First Century) (Kindle Locations 1249-1259). Fortress Press. Kindle Edition.

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